Features
Sorry, no results were found.
Pitchfork/Flatstock 2010 Recap - Ready for 2011
As we start pulling out our neon short-shorts, bandanas, sunglasses & fanny packs, and begin to cover our Northern white bodies in SPF 50 in preparation for the 2011 Pitchfork Music Festival / Flatstock #30, taking place this weekend (there are still tickets left, maybe), we'd like to take a look back at last year's festival and share some, of the really hard work we put into entertaining the world. So, without further self-adoration we present Flatstock, 2010 a video by The Post Family.
Mark Brickey from Hero Design Studio & the family festival team take you around Flatstock #26 at Pitchfork Music Festival 2010. Along the way we check in with some of the world class "designers" in the gig poster scene to find out who's tracing, and who's makin' a buck off bootleg merchandise. We talk with some of the long-timers -- the great gig poster makers who've been around even before Arcade Fire needed posters, as well as a newcomer. Most of all we have some fuckin' fun.
Read MoreBlog
Sorry, no results were found.
Sesame Street Animation
Holy moly. This is amazing. Everyone who grew up with this is very lucky.
This animation piece with music by Philip Glass is epic. But check out this and this as well and enjoy!
Redmoon
The new video by Sirocco Research Labs.
Make sure to watch it today and tomorrow and the day after tomorrow and all day every day to catch all the details of this beautiful production.
The Process Collective
Filmmakers collaborate with craftsmen to tell the truth about their Process. Its people, its purpose, its heartbeat. From sketchpad, to final product.
Check out the first video featuring furniture designer Stephen Kenn.
More to come at the theprocesscollective.com.
This is a great job.
Stop. Take 40 minutes timeout to the start of your week and watch this video called When we build by Wilson Miner.
The video was taken at Build Conf this year.
via our friends at Desktime
Covers
Covers is an investigation about architecture as a consumption object or souvenir and its relation with the domestic non-specialized language of everyday things. The work is a reconstruction and review of iconic monumental pieces of architecture whose image is built by objects to change the perception of this universal masterworks. The concept is based on the music covers where the original is manipulated, re-represented, revisited to create something new. Directed by: Luis Urculo
via Ina